The film centers around a confined rocker named Floyd . When this coping mechanism backfires he demands himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters. Like its musical companion, the film is highly metaphorical and symbolic imagery and sound are present most commonly. Directed by Alan Parker. With Bob Geldof, Christine Hargreaves, James Laurenson, Eleanor David. A confined but troubled rock star descends into madness in the midst.However, the film is mostly driven by music, and does not feature much dialogue. Gerald Scarfe drew and animated 1. It was the seventh animated feature to be presented in Dolby Stereo. The film is best known for its disturbing surreal environment, animated sequences, violence and gore, sexual situations, characterization, and many more that caused it to be one of the most surreal musicals of all time. The film has since fared well generally, and has established cult status. Pink, the protagonist, is a rock star, one of several reasons behind his apparent depressive and detached emotional state. He is first seen in an unkempt hotel room, motionless and expressionless, watching television while the Vera Lynn recording of . It is later revealed that Pink's father, a British soldier, was killed in action while defending the Anzio bridgehead during World War II, in Pink's infancy. In a flashback, Pink is a young English boy growing up in the early 1. HIT SUBSCRIBE FOR MORE CLASSIC VIDEOS Pink Floyd - Another Brick In The Wall Lifted from 'Pink Floyd The Wall' film, this video is actually comprised of. P ink Floyd’s the Wall is one of the most intriguing and imaginative albums in the history of rock music. Since the studio album’s release in 1979, the tour of. Throughout his childhood, Pink longs for a father figure. He discovers a scroll from . At school, he is caught writing poems in class (the poem being Pink Floyd's . The children then rise in rebellion and destroy the school, carrying the Teacher away to an unknown fate. Pink is also negatively affected by his overprotective mother. Such traumatic experiences are represented as . While he is in the United States on tour, Pink learns that his wife is having an affair. He turns to a willing groupie, who he brings back to his hotel room only to trash it in a fit of violence, terrifying the groupie out of the apartment. Pink slowly begins to lose his mind to metaphorical . He shaves all his body hair and, while watching The Dam Busters on television, morphs into a neo- Nazi alter- ego. Pink's manager, along with the hotel manager and some paramedics, discover Pink unresponsive and inject him with drugs to enable him to perform. Pink fantasises that he is a dictator and his concert is a neo- Nazi rally. His followers proceed to attack ethnic minorities, and Pink holds a rally in suburban London, singing . The scene is intercut with images of animated marching hammers that goose- step across ruins. WSJ online coverage of breaking news and current headlines from the US and around the world. Top stories, photos, videos, detailed analysis and in-depth reporting. LeBron James presents The Wall, a game show where regular people achieve their dreams with the bounce of a ball. Chris Hardwick hosts. Find album reviews, stream songs, credits and award information for The Wall - Pink Floyd on AllMusic - 1979 - The Wall was Roger Waters' crowning Following a prolonged silence, the wall is smashed. Several children are seen cleaning up a pile of debris after an earlier riot, with a freeze- frame on one of the children emptying a Molotov cocktail. Production. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad. The concept of the wall, along with the decision to name the lead character . EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. He and Scarfe produced a special- edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role. Complex parts such as . After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall. The footage remains in the film. Also, it was discovered while filming the pool scenes that Geldof did not know how to swim. Interiors were shot at Pinewood Studios, and it was suggested that they suspend Geldof in Christopher Reeve's clear cast used for the Superman flying sequences, but his frame was too small by comparison; it was then decided to make a smaller rig that was a more acceptable fit, and he simply lay on his back. The similarities between two can be listed as: Both of them lost their father in infancy. They took down two truckloads of audio equipment from the recording studios so it would sound better than normal. It was one of the last films to be shown in the old Palais which was pretty run down and the sound was so loud it peeled the paint off the walls. I remember seeing Terry Semel there, who at the time was head of Warner Brothers, sitting next to Steven Spielberg. They were only five rows ahead of me and I'm sure I saw Steven Spielberg mouthing to him at the end when the lights came up, 'what the fuck was that?' And Semel turned to me and then bowed respectfully.'What the fuck was that?,' indeed. It was like nothing anyone had ever seen before . It was attended by Waters and fellow Pink Floyd members David Gilmour and Nick Mason, but not Richard Wright. It was also attended by various celebrities including Geldof, Scarfe, Paula Yates, Pete Townshend, Sting, Roger Taylor, James Hunt, Lulu and Andy Summers. Why would anybody want to see it? Perhaps because filming this material could not possibly have been a happy experience for anyone. US box office charts despite only playing in one theatre on its first weekend, grossing over $6. The film then spent just over a month below the top 2. The film later expanded to over 6. September, achieving No. E. T. The film eventually earned $2. Reviewing The Wall on their television programme At the Movies in 1. Roger Ebert and Gene Siskel gave the film . Ebert described The Wall as . The music is strong and true, the images are like sledge hammers, and for once, the rock and roll hero isn't just a spoiled narcissist, but a real, suffering image of all the despair of this nuclear age. This is a real good movie. However, he admitted that the . Seeing it now in more timid times, it looks more daring than it did in 1. I saw it at Cannes .. It's disquieting and depressing and very good. While Rotten Tomatoes ranked the film with a critics review of 6. Danny Peary wrote that the . The cinematography by Peter Bizou is extremely impressive and a few of the individual scenes have undeniable power. Gilmour also stated on the documentary Behind The Wall (which was aired on the BBC in the UK and VH1 in the US) that . Hartstone. Nicolas Le Messurier. Won. Saturn Award. Best Poster Art. Gerald Scarfe. Nominated. Documentary. A second documentary about the film was produced in 1. Retrospective that includes interviews with Waters, Parker, Scarfe, and other members of the film's production team. Both are featured on The Wall DVD as extras. Soundtrack. Helicopter sounds dropped, teacher's lines re- recorded by Alex Mc. Avoy. This was intended to be on the original album, and in fact appears on the original LP lyric sheet. At the last minute, it was dropped in favour of the shorter . A live version is on the album Is There Anybody Out There? The phone call part was moved to the beginning of What Shall We Do Now. Bass line partially different from album. The song is taken from The Pros and Cons of Hitch Hiking, a concept album Waters wrote simultaneously with The Wall, and later recorded solo. Geldof sings the lyrics to the melody of . Extended with a musical passage similar to . Guitarist David Gilmour, however, dismissed the album as a collection of songs that had been rejected for The Wall project, but were being recycled. The song, in the edit used for the single, also appears on the 2. Echoes: The Best of Pink Floyd. Chart positions. Year. Chart. Position. 20. Australian ARIA DVD Chart#1. References. British Board of Film Classification. Retrieved 1. 6 August 2. Film Reviews: Pink Floyd The Wall. Retrieved 1 January 2. Box Office Information for Pink Floyd . Retrieved 1 January 2. Curtis, James M. Rock Eras: Interpretations of Music and Society, 1. Pink Floyd and Philosophy: Careful With That Axiom, Eugene! Open Court Publishing Company. Retrieved 1. 0 July 2. Radiohead and philosophy. Open Court Publishing Company. Retrieved 1. 0 July 2. Retrieved June 2. Weidenfeld & Nicolson. Mind Over Matter: The Images of Pink Floyd. ISBN 1- 8. 60. 74- 2. ISBN 9. 78- 0- 2. Retrieved 7 January 2. The Making of Pink Floyd: The Wall. ISBN 9. 78- 1- 8. Pink Floyd the visual documentary (. Anti- Defamation League. Retrieved 8 September 2. Retrieved 2. 6 December 2. Pink Floyd's The Wall. Richmond, Surrey, UK: Reynolds and Hearn.
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